Set The Night On Fire
By Libby Fischer Hellmann
ISBN: 978-0-98406-5-7
Trade Paperback from
Allium Press, Chicago, 2010
346 pages.
Every so often a novel comes along that connects with the reader in such a visceral way that it is like a punch in the stomach. This is such a story. If you lived through the nineteen-sixties and your memory is reasonably intact, or you learned even a small amount about those turbulent times, you will connect with this story.
On one level this is the story of Lila Hilliard.
Forty-some years after a particular series of spectacular and dangerous events in Chicago that revolved around a nasty far-off war and a political convention, a mysterious fire has robbed her of the only family she has ever known. At about the same time, a man named Dar Gantner, just released from prison, returns to Chicago from prison to reconnect with a few of his former companions from the same era. One, a woman named Rain, tells Dar that another of their mutual friends has just met with an odd fatal accident. It is clear in their conversation that Rain doesn’t entirely believe that it was an accident.
From that moment on it becomes apparent that dark and unknown forces are at work. But why? Who are these people we meet at the beginning of the book, who targets them and why? Through a series of small and then progressively longer flashbacks we are transported to a time when young people believed the rhetoric, that they could indeed change the outcomes of momentous happenings, that they could affect the course of the most powerful nation in the world. Some of those players, whatever they believed, moved on to build calm and substantial lives of commerce, and politics, and contemplative existences. They don’t want to relive any part of that time.
Most readers alive today will have memories of the Chicago convention of 1968, or of the riots and will begin again to remember the emotions of the time. And even if not, the measured, artful, portioning out of connections, of information, will bring those emotions to the surface. On another level, this is the telling of the great events of the late sixties, the crimes and the abuses and the trails that descended from them, not from the newspaper headlines or the televised reports, but through the eyes and hearts of some of the young people at the center of the conflicts. But this is no polemic, nor is it an attempt to change the record.
What the author has done is produce a cracking good thriller that grips a reader by the throat and doesn’t let go until the final pages. One after another the revelations keep coming, and as the central characters struggle to stay alive long enough to solve their mysteries, the author maintains our interest in the love story, the history and the dynamics of the times. It doesn’t matter your political beliefs, then, or now; the characters and their trials will reach off the pages of this fine novel and touch you in ways that are basic to our existence as human beings. This is a fine, fine novel that well deserves the accolades it will surely receive.
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